Search

Stringed Guitars

Created by a passionate guitarist, containing a bit of gear reviews and news

Tag

learning guitar

The Fender Telecaster Elite

I’ve never been a Fender fan…. I love many players that play fender… but I never got used to the scale Fender uses compared to a Gibson, it always took me too long to get used to it when switching guitars.. but that’s mainly on a Stratocaster, also the middle pickup always gets in the way of picking.

However the Telecaster is a whole different beast, for someone like me who likes good old rock and hard rock, a Tele is not a very desirable guitar, but they are very sexy and let’s not forget that Jimmy Page uses one every now and then. I’m aware that Keith Richards also is a tele man but I’ve never been a fan of him, also SRV has been seen with a tele a few times.

Anyway… I had a tele many years ago but I sold it to buy my first SG. and I haven’t played a Telecaster until 2 years ago when I went to the Birmingham Guitar Show and I saw an Elite hanging on the Fender area…. it was calling at me…. gorgeous finish, shiny frets, body binding… it was really beautiful, but that was not it… I plugged it in and it played phenomenally well, the fret finish was impeccable and the neck felt like part of my hand.

I went out of that guitar show impressed with that Tele.. 2 years went by and I convinced the boss to let me  buy one :), I went with the budget to buy anything up to a Custom Shop, I drove 2 hours up to Birmingham because that’s where PMT had a gorgeous custom shop I wanted, I went in.. sat down and started playing it… it felt really bad.. sticky neck, the neck was also huge and not comfortable… so I asked for an Elite.. and all those feelings I had came back, it was like playing a guitar you’ve had for ages, everything felt right, so I went ahead and purchased it!

I still have it but I rarely use it.. mainly because the music I play needs a humbucker and not a single coil but everytime I feel like SRV blues style I pickup that Tele and have a great time, if you are in the market for a Tele… do yourself a favour and go try an Elite, it is by far the best Fender I’ve played and possibly the most comfortable guitar out there.

Guitar volume pots are important!

This next experience is related to a few gibson SGs and humbucker pickups.

Do you know what’s inside your guitar? It’s safe to say that we all know more than before… you can find anything on the internet about your guitar specs and whether they are good components or not.

Pots are often ignored, we look at wood, pickups, tuners and of course guitar brand, however pots are critical, think about them as the wheels of a car, you can have the best and biggest engine ever… but if your wheels are worn out or cheap quality then your car will just spin out of control.

CTS. I’m sure you’ve all heard of this brand, it’s probably on 90% of guitars out there, and they are the best of the best, however… they can be even better… there’s a company called RS Guitarworks that worked with CTS to develop a more authentic vintage taper and a more realistic value of the pots, humbuckers almost always are installed with 500k pots, however… they are not always 500k, they can be 450, 510, 460, etc. And even though the number is not really important… there’s a reason why they need to be 500k, and this is how the pickup was designed to work, with a 500k pot, because that’s just how it sounds like the developer wanted.

I was tired of having different tapers on the guitars I use live, the taper defines how steep the volume increase/decrease is when you turn the pot. This can be ok for your home guitars because they can all have a different character and you might actually like this, but for live performances you want to be able to switch guitars and at least for me… hoping for a similar performance when using the volume, I manage how much distortion the guitar gets by using the volume on it.

So I bought 4 RS Guitarworks superpots for my main SGs, after 2 hours of dealing with my not great soldering skills I was able to test the first guitar, I was blown away and I don’t say this lightly, I don’t often go around changing things in my guitars. The guitar sound just became more clear and more alive, the old pot probably with a below than 500k reading was holding the pickup down.

The volume taper was amazing, the sound of the pickup was amazing instantly, I was now able to get a crunchier sound by setting the volume to around 5 and then getting an angrier sound when I turned it up to 10.

By the way… I’m not associated with them in any way.

I play in an AC/DC tribute band called Meanstreak, and being able to use the volume on the guitar to control distortion is key and absolutely necessary, to cut a long story short… I can’t recommend them highly enough, they are a bit more expensive than regular CTS but they are totally worth it! Give your guitar a treat and get one of these to try out.

1979 Gibson SG Standard

This SG belongs to the loved/hated Norlin era.

This means it was built between 1970 and sometime around 1986, loads of guitar enthusiasts hate this era and they will swear that they are the worst guitars Gibson has ever built, but to be honest most of them probably have not tried a Norlin era Gibson, and this feeds the inflated price of the pre-norlin era gibsons, this is why a 1968 SG will set you back around £8k and a 1971 will cost around £1,5k.

This is a great guitar, it’s incredible how fast the neck is and how effortless you can go through the fretboard, this is the reason why they earned the nickname of “fretless wonder” this happens because the action is really low and the frets are not very tall.

Playing these “fretless wonders” does require some time to get used to, it does challenge your ability to perform bends and you have to get rid of the “heavy hand” habit (if you do have it) but once you get used to them, they are great.

Of course this guitar is also part of Angus’ arsenal, (and this the reason why I bought it) you can see him using it on the “Flick of the Switch” video (https://www.youtube.com/watch?v=DWKcJwuZnzE) and he also used it live on some occasions.

On this model Gibson implemented 2 curious changes: the inlays changed to a rectangular shape and the output jack changed from the top of the guitar to the side. Personally I love these inlays, they do look great and you get an extra one! (the 1st fret gets an inlay as well, where as before only custom guitars would bring an inlay on this fret). It also has the “speed knobs” not sure how “speedy” they are, but they move smoother than the black top  hats.

_DSC7427 (2) _DSC7428 (2)

1984 Squier Bullet by Fender (Japan)

This is definitely an odd one, it is a Squier by fender (like all Squiers claim to be) but it’s not only that. The guitar just looks weird doesn’t it? well.. there are a couple of reasons for that.

Back in the 80s when Fender was switching manufacturers (I think they were moving production to China) they had shortages of guitar parts, so word on the grapevine is that they just combined stuff, and this model is a perfect example of this, the neck pretty much gives it away right? it’s a Telecaster neck! and who doesn’t love a Tele neck, and even more when it’s maple (yes I do like maple for Fender style guitars and Rosewood for any other brand/type of guitar). The body also looks odd apart from being somewhat deformed (fatter) on the bottom it also has only 2 knobs and a weird (maybe Gibson style?) input jack, I actually like this design I always felt that Fender inputs are somewhat annoying because you can’t use L shaped cables, so you need your L shaped for your Gibsons and your straight ones for your Strats, this just takes care of that situation, and the 2 knobs instead of 3? also a great idea! who uses 2 tone knobs when you only have 1 volume control…. just doesn’t make sense.

Pickups… probably not the best, but… they are covered! and white covers! makes the guitar look just a bit cooler right? (and yes it matches with my EC Strat) they actually don’t sound that bad at all, they are a bit muddier than normal Squier pickups so it’s like you almost don’t need a fuzz pedal, just crank up the volume, add some distortion and you are sorted.

This guitar was a bit of a project for me, and my first “real” guitar project, I only paid £70 for it (such a steal!) but it was in a very poor condition, I took the frets off and added Dunlop 6100 (the same SRV used to use), I also sanded the neck to take all the gunk off and leave it nice and clean, it’s not the most tidiest job because to be fair changing fret is a nightmare! and it’s extremely easy to damage the fretboard, but after a few attempts and a fret levelling tool it now plays really nice and it has got quite a unique sound, even though I barely use it… I like it because it has survived my DIY so it just feels special.

_DSC7475 (2) _DSC7469 (2) _DSC7471 (2) _DSC7472 (2)

Epiphone SG Prophecy EX

So… Of course your question is… “what the hell is an Epiphone doing here?…” Well, I like Epiphones, and let’s be honest… loads of us have started this amazing hobby/profession using an Epiphone or a Squier.

But this is no ordinary guitar, this is the angriest Epiphone of them all, it’s got world class features such as: ebony fretboard, Grover tuners, flame maple top, and last but not least EMG active pickups (models 81 and 85). This combination is a killer, also the fretboard is quite chunky like an SG standard so it’s great for shredders which I’m not one of them but I do enjoy every now and then picking up my axe (keeping the shredders lingo) and play a bit of Megadeth or Judas Priest.

Apart from all the amazing hardware this guitar is beautifully made, the transparent black flame maple top is very neat and let’s not forget about the inlays which now they have taken a blade type of shape… they just add up to the sort of dark theme going on, and this is the reason why I got this guitar. I used to play my Heavy Metal/Trash Metal tunes on my SG or on my Strat, but that just doesn’t feel right, I’m not sure if it’s just me but certain types of guitar make you play certain types of music, is like trying to play Back in Black (yes… by AC/DC) with a Sratocaster, it just doesn’t work.

So, now I can plug in this beauty to my Marshall TSL, hit the third channel and shred away (ahem… pretending to shred) with a nice biting sound.

These are not that easy to find and I like to think of them as bit of a unique guitar and probably one of the best ideas Epiphone has had, so if you can find one… buy it! and keep it! I’m not sure how they were able to produce this amazing guitar and still maintain the Epiphone budget but hey… I only buy and play guitars, I don’t make them, at least for now! _DSC7450 (2) _DSC7449 (2) _DSC7443 (2) _DSC7441 (2)

1989 Eric Clapton Fender Stratocaster.

Apart from the Gibson SG (of course) this is probably my favourite guitar.

Eric Clapton used this exact model on his tour around the late 80s.

The main difference with a normal Stratocaster is the pickups and the wiring, it features 3 active Lace Sensor pickups which are amazing! best pickups a Stratocaster can have, they don’t make a lot of noise and they are just really versatile.

The wiring consists on having a mid-boost, and it’s really useful when you are playing leads, just crank up the tone knob and you get extra loads of distortion, of course you can also use the volume knob for this but who doesn’t need a bit of extra gain when everything is already at 10???

The colour is also quite unique, “Pewter Grey” is the actual name, and I believe it came in other colours, the neck is absolutely beautiful being maple you can actually see the pattern, but it does come in glossy mode… which I dislike, but I used a really thin sanding paper and took that right off, it doesn’t affect the guitar in any way but it improves the payability, otherwise your finger sort of drags on the glossy finish and it just feels slower.

The tremolo is quite useful and it does not go out of tune, however due to Eric’s specification this model has a small piece of wood in the cavity which blocks the tremolo so you just need to take the back cover off and remove the piece of wood, and it works just fine.

They are not too expensive…usually around £1,200 but if you are looking for something similar but don’t want to spend that much, you can always get a Stratocaster Plus, which are pretty much the same thing.

 _DSC7463 (2)_DSC7464 (2)_DSC7456 (2) _DSC7458 (2) _DSC7459 (2)

Create a free website or blog at WordPress.com.

Up ↑

%d bloggers like this: