We are in constant search for our sound… and I don’t think it’s a one way journey… it’s got many many curves, loops and we sometimes go back to places we’ve been, it’s definitely something that characterizes us musicians, there is always something we are missing, but I don’t want to come across as “hard to please” there are many many moments were you feel you have the perfect rig, the perfect setup, the perfect tone, that moment during rehearsal or a gig were you just feel you are sounding exactly as you think you should.
But the journey must continue :p. what’s the thing that we bump into a lot of times in our journey? Amps… and which brand? Marshall…. there is just nothing like it.. I’ve tried many many brands and models in fact I went ahead and tried a Friedman… and a Victory… and you know what they all compare themselves to? a Marshall… and what is everyone trying to sound like? a Marshall… but don’t get me wrong… Marshall was at the right place at the right time, anyone could’ve done it… but Jim was there in his shop when Eric Clapton came in looking for an amp, and that is the sound my generation relates to, not Eric.. but Marshall.
But… which Marshall? would any of them do? YES! try them all please, some are crap.. some are awesome… some of them work for different stages in your guitar life.
Anyway…. yes.. as the title says this is about the 1987x a Marshall that looks as good as it sounds and as loud as your mom calling out for lunch while you were out playing with your friends.
I owed it to myself… a Marshall with no master volume, were the distortion would come from turning that bastard all the way up to 11 (actually.. anything above 3 or 4 just creates more distortion and not volume.. 7 is about right for AC/DC) I knew that this amp would only be useful in a rehearsal with a really loud drummer or in a gig…. (stadium gig) but I wanted it anyway, even if I didn’t have the right attenuator.
This amp sounds so good! it’s just so 70s in your face guitar distortion… not too distorted, not too clean.. just about where you want it. I bought mine used… as like everything I buy because it’s cheaper and it’s just as good as new or even better… it has been broken in already 🙂
This is probably the purchase that I did more research for…. I’ve tried as I stated above… Friedman, Victory, JTM 45 and Cornell Amps (British made), the 1987 is the one that I liked best…. the one that represented the tone I was after… the Cornell one was awesome.. that came in second.. but I always knew that I would’ve still wanted a Marshall after buying a Cornell.
it’s got the basic controls but the difference here are the inputs.. it’s got 4 inputs… but.. what for!! well.. they are actually 2 + 2… two of them are high and 2 normal…. brighter vs less bright…. but you can combine them… I only use the high input, but you can connect a short cable between a input 1 and input 2 and then you can mix high and low so you have a bigger spectrum of sound.
I’m currently using it with a Torpedo Reload, it’s an attenuator with a lot more functions…. apparently it is also awesome for recording… but I haven’t tried that part yet.. I can say the attenuation bit works like a charm… you can control the volume with a normal knob…. and not with those stupid decibel steps like the Palmer or many others… it also has a multiple OHM selector… so it will work with 4,8 and 16ohms, easily changeable.
If you are into Zeppelin, Deep Purple, Hendrix, Ac/Dc or any thing that uses an electric guitar and has classic distortion… do not hesitate.. and try this amp.. it is Loud! you WILL need a good attenuator.. and they are not cheap so you need to budget at least half of what the amp costs for an attenuator.