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Stringed Guitars

Created by a passionate guitarist, containing a bit of gear reviews and news

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Gibson SG GT

Yes.. another SG! I haven’t bought an SG for a few years I think… and I stumbled across the GT version, which I knew nothing about apart from the fact that existed.

So… for the official info.. you can go to SG Wiki: https://solidguitar.fandom.com/wiki/SG_GT

I love that website! They actually used one of my guitars for their pictures of a 71 SG :).

Anyway.. it is just like any other SG? Mmm kind of… but of course the tailpiece gets all the attention, I originally thought it was just a cover for the regular SG tailpiece, but no… it’s a whole thing that is bolted to and through the guitar! And ma man is it heavy! It feels heavier than my other SGs. Pretty cool design which attempts to resemble the bonnet or a car.

The Pickups are the 490/498 Alnico II. To me these are great pickups, I’ve been raving about Alnico II and Alnico III for a few years… preferring them over the Alnico V pickups.

The neck… I haven’t compared measurements but it feels chunky and not as slim/taper like a 61 reissue, just about the perfect size. You might have seen on other recent posts that I’ve discovered that chunkier necks seem easier to play…

The frets… this has caught my attention, they are quite thin… good height and crown… but they are thinner to what I’ve been seeing on standards and custom shop… There’s usually not a lot of info on frets used on different versions.

The inlays! These are not your usual mother of pearl… these are “mirror” inlays… of course probably made of plastic… but they add to the cool chrome look of the guitar.

All in all, I’m very pleased with it, it plays great and it sustains nicely. A definitely good addition to the SG collection.

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Plexi? But… not Marshall plexi… plexi screens :)

You probably have seen Bonamassa do this… and probably many others. The idea is to use them to control volume and the speaker beam.

So… I am extremely conscious of the audience sound experience, I also hate tilting amps.. it gives me a fake sound… so… what’s the solution? Plexi screens.

This is a very inexpensive mod to your rig that you’ll reaps the benefit very quick! These screens will make the sound much more filling, and more importantly… you’ll hear yourself better. If you are using a combo amp… 1×12 or 2×12… I recommend you try using a plexi screen, not only for live situations but also at home. It reduces the total volume (I can’t tell you how much… but it does) and also it allows you to place your amp maybe in a more convenient way (out of your way) and still be able to hear it well.

On the image above you can see my katana covered by two plexi screens.

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Bad Cat! Black Cat!

So… I’ve regretted selling my matchless for a couple of years already.

I was browsing guitar sites (as you do) and I noticed that one of my “local” places having a bunch of bad cats. Apparently Bad Cat has hired someone to help them re-design amps and improve production, so these new versions are part of a “re-launch” of bad cat.

This is a 20W amp, 1×12 with 2 channels. If you seen my other posts.. I had recently purchased a Katana Artist gen 3 for my new band project, I wanted something easy to carry… because all my other amps are heads and cabs… which I use for my AC/DC tribute band.

Anyhoo… long story short… I’ve used the Katana live and also at home for a few months, and it annoyed me the fact that “it has too many knobs” so… I wanted something simpler.

I spotted the Black Cat and i watched a few videos, I loved the fact that it has two channels with two volumes each…(volume and master), the EQ is shared and there is no other “master” volume, there’s a cut… and reverb and tremolo.

I never had a tremolo amp, it’s an experience! Because the sound sort of comes and goes… it feels weird. But it works well on some songs, I need to get used to it.

I used the Bad Cat live yesterday… and it killed! It sounded great, it uses an open back cabinet and it really filled the place, the volume wasn’t even that high up… the drummer was able to hear it and the sound in the place was also sufficient, this amp has a great touch! I think this is what is hard to perceive in video reviews… whether it is guitar of amp reviews… you are listening to the “final” output of the product… but not the experience of using it.

You can get a really clean sound, channel 1 has less gain that channel 2. And even though you can get a pretty good hard rock sound on channel 1… the cleans are amazing.

Channel 2 has even more gain! You can easily cover heavy metal with this amp, Judas Priest… even Megadeth.

The EQ is what gets me with these amps… similar to matchless…. the stages of the EQ almost interact with each other, the variety of sound and adjustments of the EQ are far more complex compared to a Marshall, so… you’ll need to dedicate time to this.

So…. is it better than the Katana… is it worth 3x the price? Mmm hard to tell, I mean, the katana is awesome, and I believe this is mostly due to the very high speaker quality and cabinet construction. Setting the speaker attenuation to 100%, Master almost all the way up… and controlling volume with your “channel volume” gives you a much richer sound. However… it’s still not a valve amp… the reaction to your picking is different, the digital aspect of the sound makes it that the actual sound is high quality…. but… it’s too precise… almost surgical. I think both amps have its use. I love having a valve amp with me. But.. if you are looking for an amp that can do it all.. AND have a great line out straight to a PA? Pff.. the Katana is unbeatable.

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Gibson SG Special faded

2nd special SG in my collection, the first one was the ebony board one and this one.. was an accident.

I tend to place bids and then forget about them, 99% of the times I usually lose the bid… but this time it was collection only and the guitar was filthy

Look at that fretboard… filthy!

So based on those factors, no one really placed any bids and to my surprise… mine won :).

I went to pick it up not being too excited as I really didn’t want it, having so many standards and custom shops… I wasn’t excited about just a special faded.

But you know how it goes… when you least expected is when you are surprised the most (not always!). So I pick it up… take it home… and the next day I went for a cleanup, man… the amount of sweat on this fretboard, i had to scrape it off, then do lemon oil, then scrape a bit more…. Even the back of the neck had to be scraped! Being unsealed wood… they seem to pip up a lot of dirt.

Once the fretboard was clean

So once I finished with the neck… I did a good clean to the body, and then…. i used the instrument food from Monty’s guitar, again… as being unsealed wood… I was excited to try the clear instrument food.

It really made the grain stand out

I also used the coffee one on the fretboard because it give it a nice shade and males the pattern stand out.

After like 2 hours of cleaning and changing strings… I plugged it in, I loved it instantly. The neck is chunky just like the ebony special, the frets are well defined and on the big side, the pickups… Alnico II 490/498. i love these, much better than Alnico V which I believe the SG Standard comes with.

These specials are becoming my favourite! They do rock, you can beat them up a bit more , they are just a rocking machine with nothing fancy on them.

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Are Mods worth it?

Debatable! Of course… probably the most debatable subject on guitars, us musicians are weird people, we love one thing today and hate the same thing tomorrow and we start tweaking things until we go “oh man.. I loved how this thing sounded yesterday “ we are almost never happy with what we have for more than a week.

Well… sort of, we get used to a sound and this will sometimes stop causing an impression on us… when something blows your mind out it’s because it’s new… fresh… different. But we often just get bored and our brain sort of fills in the blanks and the sound just becomes “standard”.

I’ve experienced this many many times. Now… I’m in a different mind set… I have enough guitars and amps that I can just switch stuff around when it’s just not working… this made me understand that sometimes one thing sounds better than the other, it could be us… could be placebo… could be voltage, humidity.. who knows! But… I try not to tweak things (apart from volume, treble, mids, etc) I’ll just swap guitars… and try again.

I stopped modding guitars (as much as I can) the guitar has to feel right… if it doesn’t… there is no mod that will make it “better” or more suitable for you, and once you break that “mod seal” there is no going back… and there is no end on the amount of mods you can do!

One of my Custom Shops sounded just slightly darker than others and there was something about the volume pot that I didn’t like… but I love the guitar… it feels like home… but that volume pot…just.. was weird. So I changed it with a vintage spec 550k ohms, and boom! There it was… missing piece.. feels perfect.. never touched it again and I play it a lot!

I had another custom shop.. that came with 57 plus humbuckers.. which I hated.. too nasal and bright.. I went ahead and purchased some custom buckers and installed them… got rid of the 57s. It sounded better… but I still wasn’t getting along with the guitar… it felt “stiff”. I ended up selling it because when I kept “rotating” guitars… that one never ended up pleasing me.

I’m a true believer of “magic dust” inside the guitar… the good ol’ mojo… if it has it… then maybe some minor tweaks will be acceptable.. if it doesn’t have any “magic” or mojo… then I think no mod will make it much better.

I even try not to open the control cavity if I feel that the guitar is perfect… because you know what? “Ignorance is bliss” if you open that up and you notice something that you don’t visually like… you’ll want to change that.

Just today.. I bought an SG Special that I just love how it sounds! But the pots where a bit stiff because the guitar was filthy!! I did a whole clean up… but pots were still stiff… I opened the control cavity to put some contact cleaner… and guess what… there’s a PCB controlling the pots… I just put the contact cleaner to loose them up and close it quickly before I convinced myself of “upgrading” to one of those fancy wiring kits.

To mod or not to mod… that’s the question… go for the small upgrades… maybe a pot… maybe a bit of a clean… but you know what the best upgrade is? a new set of strings :). And a guitar that feels just right. If it doesn’t feel right.. it is not for you… sell it and buy another one

Most recent purchase
Another underdog
An unbeatable custom shop
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Orange OR15

Spent last Sunday at the Birmingham Guitar Show here in the UK, it was a great day, the place was buzzing and there were loads of stands.

ATB had their display of vintage guitars including two 1960 Les Pauls at £300k! There was a nice 1962 ebony block SG. First time I see one of them in person. All in all it was a feast for our eyes.

As I walk past the Orange stand… it comes to my mind a distant memory of me using an Orange at a rehearsal place and quite liking it. So I stopped to see what they had, it wasn’t much… but one of the guys from Orange approached me and talked me through their collection, they had this OR15 heavily discounted because it was in black tolex and apparently hadn’t sold well.

I was with a friend who was lugging his 69SG which he offered me for trying out the amp, these places tend to be loud and it’s hard to really test anything out… but as soon as I plugged in and hit a note… I knew I was buying this thing.

It sounds like something between a Marshall and a Mesa Boogie, it has the Marshall growl but the mesa boogie sustain and body. I heard that Orange amps tend to be a bit on the darker side. This could be true… but speakers play a big part.

I plugged it in to some 4x10s

It sounds great, it complements the SG really well, it also has great response at al volumes, it doesn’t fall apart if you abuse the gain or the volume.

It’s not made in the UK as it’s not top of the line but still it is a great amp, this black edition i saw it retailing at anything between £550 and £600, I paid £349 at the guitar show!

If you are looking for a small amps that can kick like a mule… try this one out, it’s more manageable than the SV 20 H as it has a master volume and gain knobs, which means you can probably get a clean-ish sound for pedals.

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Gibson SG CME/Andertons Exclusive

Last week was my 40th birthday, I spent a great week with my wife, my kids (I didn’t have kids when I started this blog) we did all sorts of things, but every year I buy something for myself… like a self-present… however this year was a bit different because I already have everything I wanted.

I swear, I spend at least 1 hour per week browsing through ebay, reverb, etc. Looking at guitars, just seeing how the market is and what is available, but lately… nothing was catching my attention, I already have 10 SGs, 3 custom shops… a jaydee… I think I’m good in the SG department.

But… never say never…. Well… I never had a yellow SG, and who doesn’t like a TV Yellow SG!? Well… I couldn’t find one… but! Andertons in the UK and CME in the US, did a special run of SGs with some really cool colours, green, pink, black/purple-ish/yellow. So… I found one used and it was yellow :). These are a reissue of the 70s SGs, the square inlays, the neck, the slightly smaller frets, and… they created T-Top replica pickups which are somewhat unique.

I went ahead and pulled the trigger, drove an hour to pick it up, in fact I took my son and we saw some sheep and goats on the way, we had loads of fun.

I got the guitar and I instantly removed the old strings, gave it a good clean, a nice fretboard run with instrument food from Monty’s guitars, a bit of fret polish with nomad products, and man. It looks and feels incredible.

The frets are a bit on the low/small side… I got a heavy hand.. I need to work on this, so not my most comfortable guitar to play, but oh boy! Does it look cool!

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Gibson SG Special 100th Anniversary

So I didn’t know this was a thing… but it turns out that Gibson turned 100 in 1994, as a result… all guitars built in 1994 have a different serial number pattern, they all start with 94.

This is a Gibson SG Special in ebony with ebony fretboard. I’ve been after one of these for sometime, during the early 90s Gibson used to put ebony boards on SG Specials, I don’t know why, but as you know ebony tends to be reserved for higher priced guitars, so it’s a cool spec to have.

I bought this used a few weeks ago, not only it looks amazing with the dark board but it also has great dot inlays, they are not plain like most.. they have a bit of perloid colouring, which looks great.

Pickups are 490R and 490T, which are not all that special, however… upon doing some research, I found that they sport Alnico II magnets as opposed to Alnico V on the 498 that the SG Standard comes with, I’ve never been a fan of Alnico V, they are not articulate and clear like Alnico III, and Alnico II are slightly stronger than III but a lot less stronger than V, so I was keen on trying these out.

All in all the guitar plays great, the neck profile is like 50s les paul, quite chunky which seems to help my vibrato, the playability is very good and quite slinky for some reason.. and I use 10s.

I recommend you get one of these if you see them out there, I wouldn’t say it’s my favourite SG but.. being the underdog makes it a lot more special and the combination of the Ebony finish with the dark ebony board and the uncovered black pickups… makes it a hell of a looker

You see what I mean about the dots? They have a certain distinct pattern, love them

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The mini mighty Marshall SV20H

These are cute, aren’t they? Like little monsters before they get angry and start roaring!

The SV20H is part of the new series of Marshall, attempting to deliver classic rock sounds at friendly volume levels, they also have a re-vamp of the jcm800 called Studio Classic.

The SV20H is a 1959SLP but with 20 Watts instead of 100, or… a 1987x at 20 Watts instead of 50.

It also has the ability to go down to 5. Now… you might think… oh good, I can use this at bedroom levels… wrong!

5 watts is borderline ok for a rehearsal, the full 20W is loud enough for a gig and no microphone required for the cabs.

The SV20H is an awesome bit of gear, the tone is there, the classic Marshall tone we all want.. is there, I used to have a 1987x and sold it on, It was heavy and I was always carrying an attenuator I also sort of fell out of love when I bought the Mesa Boogie 295 + the studio preamp.

I honestly think that the SV20H is an improved version of the 1987X and also a friend of mine has the same feeling… and he owns an original 1987.

It cuts through better… it creates better feedback.. more responsive, better clarity. It’s an improved Marshall, companies seem to have taken the chance to make things better and not just repeat history… I also cover this subject on my latest Gibson SG Custom Shop.

Technology is better than 50 years ago, this doesn’t mean we live in the future and we stop using the same concepts as before, there’s no need to revolutionise the gear we use… but… better components, more reliable, and more importantly… better testing environments, more time… smarter people and… a bigger customer base always gives you more feedback. There is more competition than we ever seen before and brands are listening.

Rock On!!

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