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gibson sg

New AC/DC album Power Up!

I don’t really do album reviews and I’m not really a critic but… I’ve been waiting for an AC/DC album for 6 years! So I think I’ll try to express what this album sounds like, spoil alert… I love it!

Finally! AC/DC is back in the game, I suffered so much seeing Brian leaving the band, then Cliff, then Malcolm passed away, I saw Angus grieving his brother and it just shattered me, but I knew Angus can’t stand still, I knew he was itching for new things, I saw them live around 9 times and I know that Angus belongs with a guitar hanging from him and running around a stage.

The news came earlier this year (covid year) that AC/DC was about to release something, they are the quietest band ever! No one knows anything about them until they decide they want to be heard.

Alright… so… they release the single “Shot in the dark” instant AC/DC sound, sounded great but it was a bit too radioey, next… “Realize” came out… again… sounded awesome and unmistakably AC/DC, however… it was too radioey again.

I pre-ordered the album of course, I got the one that lights up! Looks awesome!

Ok… album arrives… oh wait… I don’t have a cd player… well.. I actually bought the album also on itunes at 5am that day and started listening to it.

Because I’m such a huge fan of AC/DC… thing take me a bit longer to process, the album sounded great, but the songs were different, Brian sounded awesome, Cliff can definitely be heard! And the drums sound like Phil of course, what about Stevie and Angus?. I’m amazed of how well Stevie has delivered so far, he not only sounds great.. he also adopted Mal’s style of playng!

What about Angus? He also sounds awesome but… there’s a general lack of solos…. his solos are shorter than usual (similar to last couple of albums) and sometimes they are more like fills… which do not gain that solo “momentum”

Well.. that was my first impression after the first spin…. I’ve now listened to it probably… 20 times, and I’m more in love than ever!

Man what a great album, apart from sounding incredible, every member is on their top shape! Brian belting vocals like if he was back in the 80s! Phil… well… just being Phil, and the rest of the gang just ploughing through like a freight train!

Every song has something… that makes you want to listen to it over and over, and you still discover more little things with each listen.

“Through the mists of time” made me shed a few tears, great track! Unusual for AC/DC. And according to angus this was written around the era of stiff upper lip! This one is for Mal, and even Brian says he gets the shivers!

“Money Shot” oh man, I love this one, brian is almost rapping again! The beat is great! Guitars are well defined and it sounds tight! At a nice pace.

“Code Red” is this the new “Back in Black” great track, again… Brian’s vocals are just great!

all the other tracks are awesome too! It’s great to hear the band again, this has made me very happy and I can feel some songs becoming classics already.

I still would’ve loved to hear some more signature solos from Angus, but… it’s ok, it’s still a great record that I listen to at least once a day.

THANK YOU!! You turned 2020 into a great year! And you’ve also made all the songs available for free on YouTube, well done! For always being there for us, for being humble but determined and for only caring of delivering the best to your fans.

AC/DC we salute you! And I’ll be attending as many shows as possible next year!

Gibson SG 61 Standard Custom Shop

Yes… another SG, this one took me a while to get, and I sold a few to get it, I found my self having 9 SGs and only using 3 or 4, it seemed wrong and I wasn’t comfortable with having unused guitars just hanging there.

So I published a bunch on on reverb and sold within like 3 days. I bought a few Marshall cabs and then this gorgeous SG came up for sale on reverb, my first Gibson Custom Shop

What an instrument! I don’t know what they do in the custom shop but playing one of these is like playing your favourite guitar, the one that just fits you…. maybe I got lucky but I doubt it… i think that is the purpose of a custom shop Gibson, to just… deliver what you need.

The finish is perfect, the intonation… perfect, the looks… perfect, the thin nitro finish… perfect, the smell of the case… perfect too! It smells like the nicest Gibson ever, Gibson owners know what I’m talking about.

Sound

It comes with PAF pickup replicas, in theory they use the same machinery used back in the 60s and pickups back then had uneven amounts of turns of wire… because apparently no one counted them, so they also replicated this process and people go crazy for these PAFs! I only just realised this. Owners are always changing pickups around but apparently Gibson Custom Buckers PAFs are probably the only ones that doesn’t get swapped.

The sound is nice, well formed, very balanced, slightly mid rangey, I’m not sure if this is the Custom Bucker or the bumblebee capacitor, the resistance is 6.8 on the bridge and 7.86 on the neck, I think the bridge could use a little more power, but the sound is still great and you can get very sweet sounding cleans and devilish distortion too!

The Looks

So… is it just another SG? Yes… of course, 2 horns, fat bottom and 6 strings, so what? Well… this one has the nice bevels, great looking tuners, the hardware is nickel which I loge because it looks like it’s been there for ever, and the most important of all… it has a very thin coat of nitrocellulose paint… which in theory allows the wood to breathe and resonate more, I don’t really think that’s true or at least impossible to prove… but… I love a nitro finish, it just looks great!

How does it play?

This is what I’m most amazed at, it just play as the nicest guitar you can possibly have, the first time you pick it up is like you’ve had this guitar all your life and you know everything about it, it might be the setup, it might be the size is just right, it might be the shape of the neck… the thin nitro on the back of the neck helps too. I truly don’t know what it is but… they have something different to Standard ones, it feels exactly like my 1971 Standard, like the wood has already settled in the instrument and the wood said “ok… this is my job for the rest of my life… I accept it… and I’ll behave”

Is it worth it?

Ah! The million dollar question. For me… it’s a resounding yes, I bought it used (like all my gear) so I paid half of what it costs new and getting a good deal always makes you feel better about the instrument, but money is relative… and the question here is… does it play twice as nice as a regular standard? I think it does… maybe not twice as good as my favourite Standard…. but it plays nicer than that one too… and I’ve bought many SGs before keeping only one standard…. definitely spent more then 4 thousand dollars on that journey, but the journey was great and it makes me realize how good this custom shop is.

So… should you buy one? YES! Go and play one somewhere… but don’t buy a new one… these custom shop cost a fortune and they lose a LOT of value as soon as you take it out of the shop.

you can see her in action here: https://www.youtube.com/watch?v=FNbn6GB0JI4

Marshall 1987x

We are in constant search for our sound… and I don’t think it’s a one way journey… it’s got many many curves, loops and we sometimes go back to places we’ve been, it’s definitely something that characterizes us musicians, there is always something we are missing, but I don’t want to come across as “hard to please” there are many many moments were you feel you have  the perfect rig, the perfect setup, the perfect tone, that moment during rehearsal or a gig were you just feel you are sounding exactly as you think you should.

But the journey must continue :p. what’s the thing that we bump into a lot of times in our journey? Amps… and which brand? Marshall…. there is just nothing like it.. I’ve tried many many brands and models in fact I went ahead and tried a Friedman… and a Victory… and you know what they all compare themselves to? a Marshall… and what is everyone trying to sound like? a Marshall… but don’t get me wrong… Marshall was at the right place at the right time, anyone could’ve done it… but Jim was there in his shop when Eric Clapton came in looking for an amp, and that is the sound my generation relates to, not Eric.. but Marshall.

But… which Marshall? would any of them do? YES! try them all please, some are crap.. some are awesome… some of them work for different stages in your guitar life.

Anyway…. yes.. as the title says this is about the 1987x a Marshall that looks as good as it sounds and as loud as your mom calling out for lunch while you were out playing with your friends.

I owed it to myself… a Marshall with no master volume, were the distortion would come from turning that bastard all the way up to 11 (actually.. anything above 3 or 4 just creates more distortion and not volume.. 7 is about right for AC/DC) I knew that this amp would only be useful in a rehearsal with a really loud drummer or in a gig…. (stadium gig) but I wanted it anyway, even if I didn’t have the right attenuator.

This amp sounds so good! it’s just so 70s in your face guitar distortion… not too distorted, not too clean.. just about where you want it. I bought mine used… as like everything I buy because it’s cheaper and it’s just as good as new or even better… it has been broken in already 🙂

This is probably the purchase that I did more research for…. I’ve tried as I stated above… Friedman, Victory, JTM 45 and Cornell Amps (British made), the 1987 is the one that I liked best…. the one that represented the tone I was after… the Cornell one was awesome.. that came in second.. but I always knew that I would’ve still wanted a Marshall after buying  a Cornell.

it’s got the basic controls but the difference here are the inputs.. it’s got 4 inputs… but.. what for!! well.. they are actually 2 + 2… two of them are high and 2 normal…. brighter vs less bright….  but you can combine them… I only use the high input, but you can connect a short cable between a input 1 and input 2 and then you can mix high and low so you have a bigger spectrum of sound.

I’m currently using it with a Torpedo Reload, it’s an attenuator with a lot more functions…. apparently it is also awesome for recording… but I haven’t tried that part yet.. I can say the attenuation bit works like a charm… you can control the volume with a normal knob…. and not with those stupid decibel steps like the Palmer or many others… it also has a multiple OHM selector… so it will work with 4,8 and 16ohms, easily changeable.

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If you are into Zeppelin, Deep Purple, Hendrix, Ac/Dc or  any thing that uses an electric guitar and has classic distortion… do not hesitate.. and try this amp.. it is Loud! you WILL need a good attenuator.. and they are not cheap so you need to budget at least half of what the amp costs for an attenuator.

Gibson SG Classic Custom

I’ve chosen the SG as my type of guitar since I saw the VHS of the Ac/Dc Show at Donington on ’91, I was in love with the band and the SG, what a powerful beast! those devilish horns yet so sexy with those feminine curves.

I’ve been trying to purchase all of the models I’ve seen Angus using… but the one that was harder to find was the Custom SG he uses on the back in black tour… and that he still uses every now and then, the black and white SG… such an iconic instrument that I’m still struggling to understand why Gibson hasn’t released a Angus Young Signature of that specific model.

Anyway…. I’ve been after this guitar for quite sometime. I know that I could’ve  just purchased a 70’s custom with 3 pickups and make some mods… but… I wouldn’t feel too comfortable with that… I would’ve kept the 70s custom with 3 pickups and try to buy another one with 2 pickups :).

I finally stumbled upon the Guitars of the Week. something Gibson did back in the mid 00’s, I remember vividly these  models coming up… one of the most sought after is  the Diablo SG, but I didn’t remember the Guitar of the Week number 38… this is an almost exact replica of Angus’ black and white…. apart from the fact that it is not Black… it is Dark aged cherry or something like that.. but it really looks the part.

I went ahead and pulled the trigger, and man… is this a great guitar or what! I know it might not be the best investment I have… because no one really is after this specific model.. but who cares… this instrument is stunning in every way, I could make a few more adjustments to make it more similar to Angus’… but I choose not to… I even left the string gauge it came with it… ’10s even though I’ve been using 09’s for years… I fell  in love with the ’10s again.

I sort of believe in leaving guitars  as original as possible because that’s the way it was designed and intended to be played, every component and even the setup were carefully thought to work together

The guitar itself is a Standard SG built with Custom Shop parts, so for example you get:

Grover Tuners and an Ebony Fingerboard, the previous owner had replaced the bridge ’57 pickup with an Angus Young model, I’ve read mixed reviews about this pickup… and of course Angus does not really use it but I like it… it’s a hot bright pickup it’s pure raw hard rock.

I almost forgot to mention… who doesn’t love a split diamond on a Gibson :).

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The 61 Reissue, best SG out there?

Why is it always that guitar manufacturers do reissues of the first year they released a design? 61 Reissue for SGs, 52 for Telecasters, 54 for Stratocasters, Les Paul is probably the exception…

Whatever the reason is, it works. I’ve always found the 61 reissue to be the easiest to play, with a thin neck but a flat fretboard it’s just butter.

It sports two 57′ humbuckers, which for me are  the finest pickups ever produced by Gibson, they have a really smooth tone and crazy sustain, almost Les Paul like. The hardware is nickel instead of chrome, that means it’s not annoyingly shiny so you get this sort of faded metal colour which ages very nicely.

These where produced until 2013 where they were replaced by the SG Standard, the Standard from 2013 is not the exact same guitar as a 61 reissue.. but it comes pretty close, they use 57′ humbuckers and half pickguard, although the hardware is all chrome instead of Nickel.

The 61 reissue actually started under the name “62 Reissue”, which wast first produced somewhere in the 80s and around mid 90s the name changed to 61 reissue, I think the specs and hardware were maintained.

If you are in the market for an SG standard… which will set you back roughly 1200 US dollars.. try to find a used 61 Reissue… they will hold their value a lot better than a standard and for me… it’s a superior guitar, just be careful with the fretwear.

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Marshall JMP 2200 & vintage Celestions

I was in the market for some Celestion Greenback speakers (G12M) which are supposed to be the holy grail of speakers… together with the GH12.

Browsing on ebay… -as you do- I found someone selling this odd looking Marshall supposedly from circa 1976 which some Rola / Celestion speakers designed for Jim Marshall.

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The seller was claiming that these speakers were in fact the famous GH12 -50 watts in this case- so I started doing my research, there is almost nothing about the JMP2200 all the Internet knows is that it’s a mid 1970 Marshall and it appears to be one of the first Solid State amps created by them.

I then moved on to researching the speakers, checked the serial number.. and boom! again.. 1976 Rola Celestions, I was so excited! long story short.. I went ahead and purchased the amp. It is probably the heaviest amp I’ve ever carried! after 3 days my arms are still in pain.

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I plugged in my Gibson SG tinkered around with volume and… it was pure magic, the tone that comes out of this thing is unreal, I’ve owned probably around 20 Marshalls from different price brackets including of course 100% valve amps… and to me this JMP 2200 is the best thing I’ve heard, you get Ac/Dc tones without any effort, just plug in and play.

These beasts are not easy to find… but if you do see one on sale, do yourself a favour and purchase it! I paid around $180 US dollars for mine but I would’ve paid a lot more knowing it sounded this good.

Controls are pretty simple, the only thing that stands out are the inputs, it’s got 2 + 1 inputs, being bright and normal (?) -at least that’s how they sound to me- and one that combines and a volume for each.

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Going custom

“Custom”… that is such a sexy word for guitar players, for some of us getting a custom is just reaching the top! -of guitar shopping that is-

So 2 years ago I decided to give myself a birthday present… and this in fact was a Jaydee guitar, made by John Diggins, John is the genius who came up with the Lightning bolts on Angus Young’s guitar, -our good friend Solo Dallas has this info covered on this link– back in late 70s and early 80s John used to repair Angus’ guitars, to a point were Angus’ original 1971 Standard only had the Gibson headstock left from the original guitar… everything else had been rebuilt by John.

So to me… ordering this guitar wasn’t only a big deal because it was custom made… but also because it’s something very unique that was  built specifically for Angus’, he toured with it on 1981, and they are not that many out there, in fact there are only 4, so it is pretty unique!.

The whole experience of ordering the guitar is such a surreal thing, you feel special… the fact that you are talking to the guy who is a legend and will be building your guitar is just… incredible.

Fast forward 12 months, I started getting updates via their Facebook page and you see how these guys create a masterpiece from just a piece of wood.

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And you also see your name on that wood! might not mean much to some… but it does mean a lot to us!.

Fast forward 2 months and I got this:

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All sanded and ready for spraying!

and just 2 weeks later I get this:

Step by step… built, paint, finish!

I was so excited! of course…I drove up to their office in Birmingham that same Saturday to pick her up:

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It was such a mix of emotions… because you wait for so long you get the updates and then that’s it… it’s done… and you are there… playing it… it feels that it doesn’t still belong to you… feels like you need to tame her… for me it is such an iconic guitar… that I felt I needed to gain her respect, which I’m still doing… and playing her as often as I can.

It’s such a massive experience, I don’t know why it has hit me so much, I think the combination of such a great instrument but also being one of Angus’ guitars… is just too much to take in.

The instrument itself is flawless, the craftsmanship that goes into this thing is out of this world, but I think what I enjoyed the most was the whole treatment I got, the way these guys deal with you.. they make you feel like a rock star, they reply to your emails in record time, they send you updates via Facebook and also.. you get to meet them and have a chat with them at their office. I got to hear some stories from Mike -John’s son-  of when he was in the show that Angus’ received this guitar from John and Angus just jumped on stage with it… you find yourself talking to someone that is part of rock and roll history, and also… you get to be in a place where Tommy Iommi’s been… he is local to Birmingham and John builds guitars for him.

Waiting 18 months is not easy… but the reward is so big… you’ll be wanting to wait another 18 months pretty soon!.

If you do have the chance… treat yourself to something special.

Personal review of the Jaydee SG

 

Instant Angus

This is the reputation the SD Storm earned, a pedal that you plug in and Angus Young sound comes out of the speakers… so, is it true?

Yes!, definitely the pedal gives you that extra bite that Angus achieves with his tone, this is not a distortion pedal, in my opinion it’s a combination of an aggressive booster and a compressor, allowing you to have sustain and overdrive without loosing clarity on your tone.

The pedal is simple… 3 knobs, Power, Storm and Snap, which I think they mean Input, Output and Compression, I could be wrong though but to my ear this seems to be the effect they cause on the tone.

The achieved tone from the pedal is very affected by the Amp setup (duh) but really… you can’t just set your amp to clean and plug and play like a distortion pedal, because it’s not a distortion pedal… so it needs the right level of gain and volume from the amp.

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I tested it using my 71 Gibson SG and the Eric Clapton Stratocaster. I’ll comment on both separately:

Gibson SG: I used the OD1 channel with very little distortion (3) and on volume on 7 on the Marshall TSL, with the overall master on 1 (Yes, I got neighbours), the pedal configuration was: Power:10, Storm:7,Snap:5. I loved the tone that came out of the speaker but I was missing something… and it was volume… as we all know, great guitar tone is achieved by volume so I switched to my Blackstar HT1R using the emulated output straight to my headphones, used the clean channel with gain on 6 and master on 9, and it just blew my mind, everything was there the clarity of Angus’ tone but also the heavy “distortion” he has, Angus has a very distinctive E Chord sound.. it just sounds so bassy but clear… and you get just this with the Storm, using the guitar volume on 6  and 10 for the solos.

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EC Stratocaster: Marshall TSL on the clean channel, with gain on 5 and master on 1.5,the pedal: Power:10, Storm:7 and Snap on 5. SRV instantly came hrough my amp, using the neck pickup I fell in love all over again with my Strat, (tuned half step down), that classic glassy sound you get on the Strat but slightly overloaded it’s a very addictive tone, and again the clarity remained there, every note and string sounded as clear as it would be coming out of the clean channel.

Overall I liked the pedal very much, it’s very hard to describe the sound, sometimes I think it is similar to what you can achieve with a distortion pedal, but it’s also far away from it, because the clarity that your tone has with the Storm can’t be achieved with a normal distortion pedal. If you are after a classic rock sound THIS is the only thing you need to add to your rig.

The price tag on this baby is $335 US dollars, it’s not cheap but you have to think that this pedal is hand built by one guy… not an assembly line in a massive factory, so this impacts directly on the cost of the product.

The presentation was very good, I got a T-shirt and a big picture of Fil and Angus, signed by Fil, there are no instructions manual, which of course are not needed, however I feel that this should’ve included some sort of ideal set up to achieve Angus’ tone, Fil has worked extremely hard to achieve this and I’m sure he has a few tips that we would all love to hear.

Head to www.solodallas.com to get the pedal.

Reading material

It’s pretty obvious that I’m a Gibson SG fan, and as soon as I saw this book coming out I had to have it.

The best thing about it it’s that it’s new… so you’ll find up to date info  and great quality pictures, the data seems to be correct  as well, I know the history of the SG quite well and I didn’t find any mistakes which is a good thing.

The book takes you on the journey since the SG was designed and went on the market for the first time, it also tells us about the most famous guitar players that use the SG as a main guitar, giving us detailed pictures on their custom models and also what was different about their guitars.

This book is intended for someone that:

a) wants great quality pictures of SGs

b) is really into the history of the SG

With this I’m not trying to say it’s a boring book… but you have to be a keen SG person to fully enjoy the book as it takes us through every change on the model over the years, and that is the main reason I love it.

I recommend the book for any Gibson SG fans out there, it’s a great read and also a very good reference book to have, if you are someone that collects SGs this will help you identify your new guitar on the Gibson timeline

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