Is this different to my other 61 Custom Shop? Yes…
For starters.. the colour is different, 61 CS Standards used to have this very light cherry colour with a fine nitro finish, now this have this much darker wood with of course a fine nitro finish.
As all Custom Shops, they come with Custom Buckers which for me are one of the finest pickups out there, it pairs so well with the SG.
But this guitar feels different, Gibson seems to have stepped up their game and are putting a lot of energy into every guitar, I’m not talking about accuracy of recreating a specific year, I’m just talking about making a damn well made guitar, this is an absolute rock machine, and I might have uses this term before… but I mean it this time.
I have now 9 SGs, 4 are custom shops and the other 5 (including the SG) are somewhat special SGs, I only have one standard from 2006 that I kept.
So You can trust me when I say that this SG is just badass, it has become my number 1 straight away, replacing the 64 reissue… which is now my number two.
So what is it? Well… to be honest… is everything, everything belongs together in this guitar. It just feels like home and the pickups are extremely perfectly balanced, I get just the right amount of feedback when needed, and it’s the nice type of feedback… the one Angus gets on stage.
Yes… another SG, this one took me a while to get, and I sold a few to get it, I found my self having 9 SGs and only using 3 or 4, it seemed wrong and I wasn’t comfortable with having unused guitars just hanging there.
So I published a bunch on on reverb and sold within like 3 days. I bought a few Marshall cabs and then this gorgeous SG came up for sale on reverb, my first Gibson Custom Shop
What an instrument! I don’t know what they do in the custom shop but playing one of these is like playing your favourite guitar, the one that just fits you…. maybe I got lucky but I doubt it… i think that is the purpose of a custom shop Gibson, to just… deliver what you need.
The finish is perfect, the intonation… perfect, the looks… perfect, the thin nitro finish… perfect, the smell of the case… perfect too! It smells like the nicest Gibson ever, Gibson owners know what I’m talking about.
It comes with PAF pickup replicas, in theory they use the same machinery used back in the 60s and pickups back then had uneven amounts of turns of wire… because apparently no one counted them, so they also replicated this process and people go crazy for these PAFs! I only just realised this. Owners are always changing pickups around but apparently Gibson Custom Buckers PAFs are probably the only ones that doesn’t get swapped.
The sound is nice, well formed, very balanced, slightly mid rangey, I’m not sure if this is the Custom Bucker or the bumblebee capacitor, the resistance is 6.8 on the bridge and 7.86 on the neck, I think the bridge could use a little more power, but the sound is still great and you can get very sweet sounding cleans and devilish distortion too!
So… is it just another SG? Yes… of course, 2 horns, fat bottom and 6 strings, so what? Well… this one has the nice bevels, great looking tuners, the hardware is nickel which I loge because it looks like it’s been there for ever, and the most important of all… it has a very thin coat of nitrocellulose paint… which in theory allows the wood to breathe and resonate more, I don’t really think that’s true or at least impossible to prove… but… I love a nitro finish, it just looks great!
How does it play?
This is what I’m most amazed at, it just play as the nicest guitar you can possibly have, the first time you pick it up is like you’ve had this guitar all your life and you know everything about it, it might be the setup, it might be the size is just right, it might be the shape of the neck… the thin nitro on the back of the neck helps too. I truly don’t know what it is but… they have something different to Standard ones, it feels exactly like my 1971 Standard, like the wood has already settled in the instrument and the wood said “ok… this is my job for the rest of my life… I accept it… and I’ll behave”
Is it worth it?
Ah! The million dollar question. For me… it’s a resounding yes, I bought it used (like all my gear) so I paid half of what it costs new and getting a good deal always makes you feel better about the instrument, but money is relative… and the question here is… does it play twice as nice as a regular standard? I think it does… maybe not twice as good as my favourite Standard…. but it plays nicer than that one too… and I’ve bought many SGs before keeping only one standard…. definitely spent more then 4 thousand dollars on that journey, but the journey was great and it makes me realize how good this custom shop is.
So… should you buy one? YES! Go and play one somewhere… but don’t buy a new one… these custom shop cost a fortune and they lose a LOT of value as soon as you take it out of the shop.
The title of this post is not an understatement… Strings are very important just as important as tyres are for cars, surely you can drive with worn tyres, but you’ll probably slip at some point!
Every time I change my strings I re-discover the guitar tone, that first strum… the first lick you play… it just sounds great and for me it goes… “oh.. have I played this song since I changed the strings? I gotta try it”, but let’s face it changing strings is a pain in the neck, and 70% of the times I end up stinging one of my fingers with the high E so it’s a task that I usually don’t look forward to, the good thing about it? apart from the tone is that we get to buy something for our beloved guitar, whatever it is we just love buying stuff.
But… which is the right string for me!? and this is as hard as searching for your tone or more likely… it’s part of searching for your tone, because as the title states the strings are the soul of your guitar (and your fingers are the engine) and every gauge, brand, material, etc. sounds different some brighter, some darker, some just break all the time and some just “do the job” and we stick with those, but is this ok? should we not experiment a bit more? I mean… they are only like £6 a set, so why don’t we try more brands and gauges and materials? I bet is because you also hate changing strings!
Well… I always used Ernie Balls, either 0.010 or 0.009, because that’s what everyone uses, and it’s just what they usually have at the stores, however we now have Ebay! (I know it’s been around for ages… but I’m trying to prove a point here) and we can buy all sorts of different strings, there are tons of brands out there now, but there is something that recently has caught my eye (or ear?) I saw an interview with Billy Gibbons, and he talks about the time he met BB King and how BB asked him if he could play his guitar… of course Billy was more than happy to do this! and BB goes “your strings are a bit heavy”, Billy of course says “well.. we are just looking for a specific tone and sound”, and this is probably the reason why most of us go with 0.10 because we feel that 0.09 is just too thin and the sound it’s just too thin as well, but BB says “that’s all fine, but the question is… why are you working so hard?” BB was one of the first bluesmen to use low gauge strings (I think they were 0.008) so Billy listened to him and he swapped his 0.011 with 0.008 and never looked back, to the point that he went down to 0.007, and this is where my story begins…
I saw the interview and I thought… I need to try this, so I went online and bought a set of Rev. Willy’s 0.007 and man… was I impressed! they are so good! and the playability is just effortless, bends are easier and the tone is all there! it takes a bit to get used to them because they are thin! you can barely feel the high E, but trust me they sound amazing, I equipped my ’71 Gibson SG with them and I love it.
So… don’t just use 0.009 just go ahead and try! SRV used 0.013 but BB used 0.008 and they both sound amazing so there you go, spice is the essence of life, in our case it could be strings!
Also there is something “new” out there called Polyweb… from Elixir, I haven’t tried those but they are supposed to be great as well!
Have a look at the video, enjoy “La grange” but also at the end you’ll listen at Billy talking about his strings.
Touching on the “guitar practice” issues again, sometimes having an amp is not even possible, because someone in the household might have a problem with us shredding away… and sometimes like in my case… it cuts your inspiration.
I’m a keen user of iPhones and its useful apps for guitarists, from tuners, to amp modelers to track recording, but it always seems that each one of those apps is missing something, but most of them have one thing in common… they won’t let you play Spotify while you are trying to listen to your guitar, except for Jam-Up (find it here) this little free app let’s you plug in your guitar (with the use of an iRig) and also play some tunes on Spotify which means you can play along your favourite records while blasting the volume away!.
I’ve been using this app for a week and I love it, it’s just simple and free, you can also pay and get more options, but the free version is pretty good, you get a few pedals, few amps, tuner, recording facilities, etc. and the amp modellers sound very decent, just try the JMP 50 Watt with any guitar and you’ll love it (even more with humbuckers). I’ve also bought some headphones for practicing, since the iPhone in ear phones are not that great in terms of sound quality, cable is too short and you can’t headbang because they’ll fall out of your ear, so I bought some AKG K77 for £24.50, that’s a steal! you can also find cheaper ones with studio quality, just go to guitar sites instead of fancy technology sites and you’ll find decent headphones with a decent price tag.