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Stringed Guitars

Created by a passionate guitarist, containing a bit of gear reviews and news

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Custom Shop

Malcolm Young tribute

Yes… another Gretsch, and this makes 3, why? Because I wanted to replicate both of the beasts versions of Malcolm, the one with the badass bridge and the one with the Burns vibrola.

In this case I bought another 5222 to replicate Malcolm’s beast with the burns tailpiece, the one I bought was purple and it had a bigsby arm, so.. this time I wanted to do a complete overhaul with a professional, what I ended up doing is the following:

Bought on bidding a shiny purple one and sold all the parts, se below the details for costs as I think this is the best way of getting a replica on the cheap

You can see expenses in orange and sales in green.

The mod (£404.35) which included re-finishing in nitro and reshaping of the floating bridge was done by DY Guitars in London which I recommend,m, he also did a bit of ageing.

Re-finishing in Nitro was a must for me. I just don’t like the finish of poly, it feels different…. And cheaper, i’m not too sure if it increases wood resonance and all that crap… but to my touch is just feels nicer and of course the back of the neck feels much better too, this time DY Guitars chose a matte finish which I think makes total sense as it makes it look a bit more worn.

So the total cost of the project was £672 which isn’t bad at all compared to the cheapest replica that costs around £2500

This is how it looked originally

2020 Gibson SG 61 Custom Shop

Yes, another custom shop added to the collection.

Is this different to my other 61 Custom Shop? Yes…

For starters.. the colour is different, 61 CS Standards used to have this very light cherry colour with a fine nitro finish, now this have this much darker wood with of course a fine nitro finish.

As all Custom Shops, they come with Custom Buckers which for me are one of the finest pickups out there, it pairs so well with the SG.

But this guitar feels different, Gibson seems to have stepped up their game and are putting a lot of energy into every guitar, I’m not talking about accuracy of recreating a specific year, I’m just talking about making a damn well made guitar, this is an absolute rock machine, and I might have uses this term before… but I mean it this time.

I have now 9 SGs, 4 are custom shops and the other 5 (including the SG) are somewhat special SGs, I only have one standard from 2006 that I kept.

So You can trust me when I say that this SG is just badass, it has become my number 1 straight away, replacing the 64 reissue… which is now my number two.

So what is it? Well… to be honest… is everything, everything belongs together in this guitar. It just feels like home and the pickups are extremely perfectly balanced, I get just the right amount of feedback when needed, and it’s the nice type of feedback… the one Angus gets on stage.

Rocking the main stage a few weeks ago with this guitar
Look at that grain!
61 on the left, 64 on the right

Gibson SG 1964 Reissue Custom Shop

The late part of 1963 was an important year for the SG, this is when the SG earned its own identity, they stopped calling it “les paul” and it also lost the “les paul” branded truss rod cover.

Some say that this is when the SG really took off, I’m actually not sure what was holding it back… but when you look at a 61 and a 64, the differences are obvious.

First, let me state that the 61 Reissue that we all know (and love) it is not period correct, the vibrola was a sideways one… the one that is used on the 61 Reissue actually came about on 63/64, this was a considerable change in design, the vibrola became more useful and stable.

So, what are the differences? Well… apart from the vibrola change, the neck is also different, the scale and amount of frets are the same, however it is no longer a 60s slim taper neck, it is much more C shaped, making it more like a “baseball bat” type of grip, this is similar to a regular production standard that you can grab off the shelves today.

The playability is great, I also own a 61 Custom shop and it also plays great… but the changes on the neck of the 64 certainly fit the SG well, in fact, the black SG that Angus uses almost exclusively on live shows is a 1964 which he removed the vibrola and painted black.

The finish is also quite different, the 61 has a much lighter cherry tone whereas the 64 is darker, which looks great with the vibrola.

In this particular example that I own, the pickups are also quite different, they are the same type… Custombuckers alnico III however the resistance is much larger, the 61’s bridge pickup reads around 6.9 whereas the 64 reads 7.8! It is much hotter and you can tell the difference when playing it, the neck pickup of the 1964 is also 7.8 and the 61 is 7.86, so much closer. Even though the bridge pickup is hotter, it still cleans up very nicely when the volume is turned down.

The feel of the volume control is also different, you don’t loose that much treble when rolling down the volume and the tone control is also quite nice to experiment with. I found myself for the first time being able to tame some of the brightness by just rolling the tone down, I believe this model has “black beauty” caps as opposed to bumblebee caps on the 61.

You can hear the 1964 in action here: https://youtu.be/J8UK_X6VTDA

The grain is beautiful and again.. the colour is not like any other SG I’ve seen.
The vibrola is probably one of the most luxurious additions to the SG, even if you don’t really use it, it dresses up the guitar quite nicely.

Gibson SG 61 Standard Custom Shop

Yes… another SG, this one took me a while to get, and I sold a few to get it, I found my self having 9 SGs and only using 3 or 4, it seemed wrong and I wasn’t comfortable with having unused guitars just hanging there.

So I published a bunch on on reverb and sold within like 3 days. I bought a few Marshall cabs and then this gorgeous SG came up for sale on reverb, my first Gibson Custom Shop

What an instrument! I don’t know what they do in the custom shop but playing one of these is like playing your favourite guitar, the one that just fits you…. maybe I got lucky but I doubt it… i think that is the purpose of a custom shop Gibson, to just… deliver what you need.

The finish is perfect, the intonation… perfect, the looks… perfect, the thin nitro finish… perfect, the smell of the case… perfect too! It smells like the nicest Gibson ever, Gibson owners know what I’m talking about.

Sound

It comes with PAF pickup replicas, in theory they use the same machinery used back in the 60s and pickups back then had uneven amounts of turns of wire… because apparently no one counted them, so they also replicated this process and people go crazy for these PAFs! I only just realised this. Owners are always changing pickups around but apparently Gibson Custom Buckers PAFs are probably the only ones that doesn’t get swapped.

The sound is nice, well formed, very balanced, slightly mid rangey, I’m not sure if this is the Custom Bucker or the bumblebee capacitor, the resistance is 6.8 on the bridge and 7.86 on the neck, I think the bridge could use a little more power, but the sound is still great and you can get very sweet sounding cleans and devilish distortion too!

The Looks

So… is it just another SG? Yes… of course, 2 horns, fat bottom and 6 strings, so what? Well… this one has the nice bevels, great looking tuners, the hardware is nickel which I loge because it looks like it’s been there for ever, and the most important of all… it has a very thin coat of nitrocellulose paint… which in theory allows the wood to breathe and resonate more, I don’t really think that’s true or at least impossible to prove… but… I love a nitro finish, it just looks great!

How does it play?

This is what I’m most amazed at, it just play as the nicest guitar you can possibly have, the first time you pick it up is like you’ve had this guitar all your life and you know everything about it, it might be the setup, it might be the size is just right, it might be the shape of the neck… the thin nitro on the back of the neck helps too. I truly don’t know what it is but… they have something different to Standard ones, it feels exactly like my 1971 Standard, like the wood has already settled in the instrument and the wood said “ok… this is my job for the rest of my life… I accept it… and I’ll behave”

Is it worth it?

Ah! The million dollar question. For me… it’s a resounding yes, I bought it used (like all my gear) so I paid half of what it costs new and getting a good deal always makes you feel better about the instrument, but money is relative… and the question here is… does it play twice as nice as a regular standard? I think it does… maybe not twice as good as my favourite Standard…. but it plays nicer than that one too… and I’ve bought many SGs before keeping only one standard…. definitely spent more then 4 thousand dollars on that journey, but the journey was great and it makes me realize how good this custom shop is.

So… should you buy one? YES! Go and play one somewhere… but don’t buy a new one… these custom shop cost a fortune and they lose a LOT of value as soon as you take it out of the shop.

you can see her in action here: https://www.youtube.com/watch?v=FNbn6GB0JI4

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